An Artist Q&A: Re-Discovering Mary Shelley’s Text with Noel MacDuffie

With less than a week left until performances of The Frankenstein Project, we took a few minutes of our artists’ time to ask them about their creative process!

Today we hear from Noel MacDuffie, a director and choreographer whose piece “Monster and Maker” will feature performers Courtney Salvage and Alexandra Slater in an exploration of text and movement.

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Smith Street Stage: What section of the Frankenstein story are you using as your jumping off point? Do you have a favorite line or image from that section that started inspiring your work?

Noel MacDuffie: I am very interested in the monster’s story of how he tried many times to show the world his good intentions but is brutally rejected based on how he looks.  Mary Shelly was inspired by her father’s idea that humans teach each other to be good.  But her life leading up to writing Frankenstein had been hard, and she postulated that we humans also teach each other to be bad. This idea is illustrated in the monster’s experience.

6376-to-emailAs I had never read the book before, I was struck by how articulate the monster was and the poignancy of his story. I realized I had to explore this.  I am actually starting with the scene when Frankenstein and his monster first speak and then progressing into the monster’s story.

One somewhat unlikely image stood to me from this scene.  Frankenstein notes that his creation moves with incredible ease and possesses great strength.  How unlike the movie versions of a awkward, clumping monster.  I explore that ease and that strength in my section.

SSS: How did you approach the task of “reimagining” or “adapting” a classic story like Frankenstein?

NM: I started with the actual text – because while the language is heightened it is quite beautiful.  I am not a writer, but I am a good editor, and I worked hard to get down to essential material.

Once that was accomplished, I wanted to be sure that the text was really heard.  I felt that tilting the playing field was essential to help people experience the work without comparing it to what they already know (the films). So I messed with casting, I delved deep into movement, and I presented some material more then once.  The goal was always to allow this lesser known part of the story to be experienced.

SSS: What interests you most in creating new work?

NM: I am driven to understand and explore human relationships.  I want to know why and how we try to become better people, and why and how the definition of better can be so different for each of us.

I am interested in the balance between heart and head, emotion and intellect. I want theater to make me feel something, but also I want it to make me think.

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Noel MacDuffie is a director and choreographer. He has choreographed and directed 3 full-length theatrical dance works (The Snow Queen – with aerialist Angela Jones, Soul Descending, and 3 am,  89°, no wind) as well as over 30 shorter works.  He danced professionally with the Carolyn Dorfman Dance Company and Nancy Hauser Dance Company among others.

Get your tickets to The Frankenstein Project here to see Noel’s work!

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